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Moving Image Terminology + Semiotics

Rob Miller | Tuesday September 27, 2011

Categories: Courses, A Level, WJEC A Level, WJEC A2, WJEC A2 Media Studies, WJEC AS, WJEC AS Media Studies, Film, Film Language, Key Concepts, Media Language, Theory, Semiotics

Associated Resources

  • Moving Image Terminology and Semiotics.doc

Semiotics/Semiology

The study of signs that help us to deconstruct Media Texts

Signifier/Denotation

The physical form of the sign, without deeper meaning

Signified/Connotation

Meaning associated with the relationship between signifier and signified. Connotation is open to interpretation

Mythical Connotation

Meaning which is subjective interpretation, yet untrue

Anchored Meaning

A Media Text has a reinforced meaning, e.g. in Advertising

Polysemic

Many meanings e.g. a photograph has many connotations without the addition of text

Encoding

Where meaning is put into a Media Text

Decoding

Where meaning is deconstructed by the target audience

Dominant Preferred Meaning

The meaning that the producer of the media text wishes the audience to deconstruct

Oppositional Reading

Where the audience deconstruct the opposite of what is intended

Negotiated Reading

The sub-conscious meaning that is formed between the relationship with producer and target audience

Technical Codes

Constructed codes e.g. Camera angle, types of shot, types of edit, type of lens, SFX, Sound, Framing, Focus

Symbolic Codes

Cultural Representations – in film the mise en scene can be described as symbolic codes ie they ‘stand’ for something

Mise en Scene

The Mise en Scene comprises – setting,...


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