Action Genre Codes & Conventions
Rob Miller | Tuesday September 27, 2011
Categories: Courses, A Level, WJEC A Level, WJEC A2, WJEC A2 Media Studies, WJEC AS, WJEC AS Media Studies, Film, Action, Action Adventure, Key Concepts, Genre
Recommended Reading
- ‘Spectacular Bodies’ - Yvonne Tasker (Routledge) 1998
- ‘Action’ – Richard Dyer, 2000
- ‘Action Women: Muscles, Mothers and Others’ – Yvonne Tasker, 1998
Contemporary Action Films
- Your Highness (Adventure/Comedy Hybrid) David Gordon Green, 2011
- Inception (Action/Sci Fi Hybrid) Christopher Nolan, 2010
- Quantum of Solace Marc Forster, 2008
- Die Hard 4.0 Len Wiseman, 2007
- Tomb Raider Simon West, 2000
- Mission Impossible: II John Woo, 2000
Codes and Conventions
- 12/15 certificate, maximising youth audiences
- Often hybridised with Sci Fi/Adventure/Romance
- Major Hollywood studio produced and distributed
- High production values including CGI FX. Fast paced editing
- Classic Hollywood 3 act narrative structure
- Predictable chain of events – cause and effect
- Single stranded, linear, closed narrative
- Dramatic non-diegetic sound
- More narrative action codes than enigma codes
- Clear binary oppositions
- Star Marketing: Audience identification/expectations (Cruise/Pitt/Willis/Thurman/Jolie/Stallone/Craig/SchwarzeneggeDi Caprio…). Generic Typecasting and Secondary Persona apply
- Romantic sub-plot, Humorous dialogue
- Relationships with new technology (youth audiences)
- Use of close up/Insert shots/High Key Lighting
- Dominant representation of gender: male/female action hero. Mulvey’s male gaze and contemporary female gaze can apply...
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